Everything is falling apart. She's buried up to her neck. Literally. And she's never been happier. Beckett's Happy Days is the original “main character refuses to give up” story. It's absurd, darkly comic, and oddly comforting. If existential dread is your vibe but you also want to laugh about it, Siobhán Redmond is about to make this your new favourite thing.

What if Liberace walked into a play about Liberace? That's the problem. Because when you're writing about the greatest showman of them all, what happens when the man himself turns up to check your work? Simon Russell Beale and Fra Fee go head-to-head in a gloriously bonkers, fabulously funny new play about Liberace: the rhinestones, the ego, the glamour, the scandal, the piano… and the man behind it all. He was flamboyant. He was outrageous. And he knew exactly how to put on a show. And, frankly, he still does. But somewhere behind the sequins, the furs and the forty rings was someone who spent a lifetime deciding exactly how much of himself the world was allowed to see. Come meet Liberace. Get ready for the glitter.

In APPLICATION 39, two young IT workers in the municipality of Gaza hack the bid process for the 2048 Olympics as a prank - and win. Their "victory" becomes a surreal yet pressing journey through occupation, bureaucracy, absurdity, and reconstruction. Application 39 draws on real-life testimonies, including from Gaza itself, to pose a radical question: what if Gaza were no longer rubble and siege - but a site of global gathering, resistance and renewal?