Four circus artists move through a shifting world of revolving walls and floating doors. In EXIT, choreographer Piet Van Dycke blends circus and dance into a thrilling physical performance where movement, partner acrobatics and balance form one shared language. With backgrounds in bascule, aerial belts, trapeze and acro-dance, they create a dynamic interplay of trust, risk and transformation. They propel, catch, climb and balance as they search for their own path, yet need one another to keep moving. A powerful, visually striking exploration of independence, connection and fragile balance. Four bodies. One path. No way out alone.

Inspired by the ancient Chinese myth of Nüwa mending the sky, Love in the Cracks explores the bond between a terminally-ill mother and her daughter. Seeking to extend her care, the mother transfers her memories and habits into an embodied AI presence. Through human-machine performance, the global boundaries of contemporary theatre are redefined as the nature of human intimacy, loss and identity are closely examined in the light of interaction with artificial intelligence. Ultimately the play asks whether, in an age where technology can replicate memory and behaviour, can love remain unique?

In 1933, German playwright Bertolt Brecht fled Berlin, eventually settling in the United States, where he would be tried by the House Un-American Activities Committee (HUAC) for communist affiliations. Ten years ago, artist duo Lina Majdalanie and Rabih Mroué emigrated from Beirut to Berlin. Their new play weaves these two stories together, exploring historical and contemporary censorship of free speech, the rise of the far right, and exile. Accompanied by a pianist playing songs from Brecht and Hanns Eisler, Majdalanie and Mroué bring their characteristic humour to question whether our liberal democracies are truly free, or if we're all sitting in a gilded cage.