Swordsman, poet, philosopher, Cyrano de Bergerac. His musketeer-heroics combine with rapier wit, but the bravado belies a passionate love for his exquisite cousin, Roxane. Too ugly to win her for himself, or so he thinks, he agrees to woo her on behalf of another. His tender verse gives voice to the inarticulate, dashing Christian, gaining him her heart just before both men depart for war. A wildly romantic story laced with swagger, gallantry and sacrifice.

When four siblings reunite at their recently-deceased mother's home with the intention of divvying up her possessions, a long-buried family secret explodes out into the open – challenging everything they thought they knew about themselves and each other. True to form, Liv thinks she can bulldozer her way back to how things used to be. People-pleaser, Rob, just wants everyone to get along. But Michelle's had enough of towing the fragile family line. And with prodigal son, Jonny, hellbent on pushing everyone's buttons, they all look set to lose everything – their dignity included.

Sharp tongues and savage gossip fuel a messy, magnetic attraction in this new production of Shakespeare's Much Ado About Nothing in the Globe Theatre. The war is over, but the battle for love is just beginning. Beatrice has sworn off men, but there's something about Benedick she just can't leave alone. Meanwhile, beneath Messina's polished surface, secrets slip, gossip runs wild and reputations hang by a thread. Everyone's saving face – and nobody's doing it very well. Set in a sun-soaked world of style and status, where image is everything and late-night parties blur into dawn, Chelsea Walker's (All's Well That Ends Well, Sam Wanamaker Playhouse, Globe) Much Ado About Nothing is one of Shakespeare's most incisive romantic comedies. An unfiltered look at bad behaviour, second chances, and recovering from old wounds.