Written around 1600 and set in two contrasting communities; city and forest. Rosalind and Celia have been banished from Court. In fear of their lives, they disguise themselves and seek sanctuary in the Forest of Arden. Amongst the magical and ancient boughs, Rosalind discovers her exiled father, uncovers various truths about herself and others...and falls helplessly in love. But in this earthly paradise nothing is quite what it seems: men do not always act like men, and women can be anything at all...Uplifting, awe-inspiring and immense fun, Shakespeare's wondrous comedy is a joyous celebration of the liberating power of love and the redeeming spirit of nature.

Three Black men hang from an old, wide tree. Caught together in this liminal space, they shoot the breeze, sharing the great loves and bitter blues of their interrupted lives. The directorial debut of Pulitzer Prize finalist Zora Howard, HANG TIME is a gut-wrenching, subversive perspective on the legacy of racialised violence in America. Sharply juxtaposing the romantic and the macabre, the ‘finely-tuned' dialogue (The New York Times) is peppered with heartbreaking missed opportunities and tinged with dark humour. As the audience sits with the image of these men's demise, Howard asks us to hold the truth of this peculiar American violence alongside the vibrant interior worlds of the men themselves.

Theatremaker Jaha Koo invites you to to his pojangmacha, a late-night snack bar found on the streets of South Korea. Koo doesn't serve sleep-deprived humans, instead, his customers are a robotic eel, a snail and a gummy bear, who take the audience on a culinary and cultural journey peppered with intimate and absurd anecdotes. Koo has lived in Europe since 2011 and now often feels like a tourist when he visits Korea. In Haribo Kimchi, food and culture are endlessly intertwined. One moment he may cook up a sublime seaweed soup, and the next, reflect on painful racist experiences and his deep longing for home. Koo's 2019 production Cuckoo was described as a ‘powerfully affecting work' (The Herald), and Haribo Kimchi promises a show that zigzags between cultural appreciation and the realities of cultural alienation. Combining music, video and robots, Koo's performance plays on all the senses while serving up his personal stories with a dash of melancholy and a sprinkle of wit.